SLUGLINE HOUSE OF CARDS SERIES

She starts sleeping with him because she thinks itвЂ™s a way to keep him close, then tries to cut the affair off when she thinks it may tarnish her reputation as a journalist. She knows sheвЂ™s being used by Underwood as much as sheвЂ™s attempting to use him, and the power struggle between the two of them grows nastier when she start pushing back, but she doesnвЂ™t give a thought to her place in his schemes until another reporter starts to unravel them. ZoeвЂ™s apparently lack of a moral compass is troubling, but it seems part and parcel of her most maddening and compelling quality, which is her inability to think ahead, to look at things from a larger perspective. вЂњHouse of CardsвЂќ presents a fabulously conflicted portrait of new journalism and the factors driving it. Those places are changeable and certainly canвЂ™t be counted on in the long term, and anyway, as ZoeвЂ™s new bossВ at Slugline puts it, why would you want to stay at a job for more than two years anyway? Zoe could take the White House correspondent position, give up her juicy in with the House Majority Whip and settle in for years of controlled press briefing coverage at a paper slowly whittling away at its staff, or she could leap into an online world where the rules are always changing but opportunity is there to be seized. In the brave new media world that Tom so bristled against, writers are the brands, and itвЂ™s in their best interest to build their own names up over the places they work. They arenвЂ™t the foundation this paper was built on and they arenвЂ™t what will keep it alive,вЂќ he replies, speaking his death knell. вЂњZoe Barnes, Twitter, blogs, enriched media - theyвЂ™re all surface, theyвЂ™re fads.

вЂњThe paperвЂ™s operating at a loss,вЂќ TomвЂ™s boss tells him when she brings him in to arrange his departure. The Herald and all newspapers represent an old model of journalism that is, for better and worse, no longer suited for the times, and ZoeвЂ™s early attempts to get a blog there and do something other than the prescribed form of reporting are shot down. Journalists on both the big and small screen tend to be drawn either as holy crusaders or ethics-free parasites, online writers mostly the latter, but itвЂ™s too easy and unfair to simply condemn ZoeвЂ™s behavior. Yes, Zoe is a Millennial monster, an opportunistic bloggerzilla who values self-promotion over being part of a team, who jumps at any chance to be on camera even when sheвЂ™s told not to. She responds as a true creature of the 21st century by whipping out her smartphone in front of him and putting his words on social media - he ends up stepping down because of the turmoil, while she lands a new gig at the Politico-with-edge website Slugline. вЂњI think youвЂ™re an ungrateful, self-entitled little cunt,вЂќ the Washington HeraldвЂ™s editor-in-chief Tom Hammerschmidt (Boris McGiver) tells her when she turns down his offer to becomeВ White House correspondent.

ItвЂ™s the kind of ambition thatвЂ™s all about context - itвЂ™s a quality that could be heroic or terrible depending on how its framed, particularly in a show like this, and one that audiences tend to find more troublesome in female characters.В Zoe is uppity, she doesnвЂ™t wait her turn, she pushes for work in other reportersвЂ™ territory, sheвЂ™s not thankful for what sheвЂ™s given. Zoe, though - Zoe is all ruthless aspiration and a willingness to throw others over or step on their necks to get ahead. The 40 Best LGBTQ Movies of the 21st Century

SLUGLINE HOUSE OF CARDS SERIES

Cooper: Where Are You?!' Trailer: Netflix Unravels Controversial Conspiracy Theory 50 Years LaterД®mmy Predictions: Outstanding Documentary or Nonfiction Series Production Shut Down on Netflix Series 'The Chosen One' After Two Actors Killed in Car Crash Peter Russo (Corey Stoll) is a mess, but he cares deeply and genuinely about hisВ constituency and is haunted by the idea of letting the people in his home district down. Lady Macbeth, but she also has very human yearnings for the more traditional life and love she could have had. Underwood is the chilliest power-at-all-costs pragmatist of them all, but his asides to the camera invite us into whatвЂ™s on his mind and make us co-conspirators.В Robin WrightвЂ™s Claire may be UnderwoodвЂ™s D.C.

The show doesnвЂ™t really give her the same kind of personal hook the other characters get, the soft spot. What theyвЂ™re not is easily likable, especially in the case of Zoe Barnes ( Kate Mara), the cub reporter who hitches her star to Representative Frank Underwood (Kevin Spacey) in a relationship thatвЂ™s mostly mutually beneficial and sometimes sexual. The characters in NetflixвЂ™s original series вЂњ House of CardsвЂќ are fascinatingly manipulative, calculating, ferociously ambitious or destructively idealistic.

Slugline house of cards